Olympic Theatre: it is design, planning, harmony, proportions, acoustics, sensitivity, search for beauty, wonder, expert processing of materials, emotions. One of the greatest works of the Master and chief architect Andrea Palladio created before his death as a perennial gift to Vicenza, enriching it further with another precious gem and a universal example of beauty and ingenuity. True and exemplary values that all can enjoy and make their own thanks to their glorious and radiant presence. And Sonus faber created in this beautiful and fortunate land could not but make this teaching and principles its own since its very beginning, inextricably linking them to their own history and then applying them in its Musical instruments which proudly resonate with the harmony of the city and the art that inspired them. In acknowledgement of the unique legacy of Andrea Palladio, Sonus faber has decided to create Sonus faber Olympica, a sincere homage to the Olympic Theatre, temple of geometric pleasure in the voice of Music, the container in which sound seamlessly expands and an accurate reference model of acoustic enhancement.
Cabinet is characterized by the use of natural walnut wood, top and bottom in solid walnut and with magnificent joints in clear maple wood in the walnut finish and more traditional black maple in the graphite finish. The form is the synthesis of the experience gained with the flagship Aida and the classic lyre form. The important difference lies in the particular asymmetry of the section introduced for the first time by Sonus faber.
The bookshelf model benefits from a special anodized aluminum stand (derived from the evolution of the Guarneri model) that allows the speaker to take the correct inclination and, just like the floor models, is equipped with adjustable stainless steel feet to ensure stability and durability.
The top is covered in natural leather (with feature stitching and hot branded Sonus faber logo) and aluminum ring, the front baffle is covered in natural leather with no visible screws and the back is also covered in leather with sunken serial number tags below which there are the terminals.
The last but significant aesthetic note is the unusual location and geometry of the side reflex port vertically designed and embellished with a perforated metal sheet placed in the vicinity of the long outlet.
2 way standmount, paralaminar stealth flow vented loudspeaker.
Enhanced “Lyre shape” design, progressive thickness triple curvature cabinet walls damped spread resonance spectrum system. Solid walnut vertical clamps.
Sonus faber “Arrow Point” DAD (Damped Apex Dome, synthesis of the classic dome and ring transducer) 29XTR2. A Sonus faber designed 29 mm moving coil driver. The ultra dynamic linearity is given by the new Neodymium motor system.
Sonus faber MW15XTR. A totally Sonus faber designed 150 mm ultra dynamic linearity midwoofer. CCAW wire is used on a composite former “eddy current free” voice coil. The dynamically linear magnetic field motor incorporates triple Kellog/Goeller rings. A special custom diaphragm is made with a real time air dried non pressed blend of traditional cellulose pulp, kapok, kenaf and other natural fibers, developed according to the most natural sound. To further inhibit any residual cone coloration we are using a transparent viscous surface damping coating.
Non-resonant “progressive slope” design, optimized amplitude/phase response for optimal space/time performance. “Paracross topology” on both tweeter hi-pass and midwoofer low pass, cross-over point 2.500 Hz.
50 Hz – 30.000 Hz, tuning port included.
87 dB SPL (2.83 V/1m).
SUGGESTED AMPLIFIER POWER OUTPUT
40W – 150W, without clipping.
LONG-TERM MAXIMUM INPUT VOLTAGE (IEC-268-5)
OPTIONAL DEDICATED STAND DIMENSIONS
15 kg Net, 17 kg Gross
Walnut and Piano Black